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Culture, Society, Self & Nature
Ken Sanes
The books and essays in Transparency offer a general theory of human nature,
representation and society, based on the idea that all of us have a basic desire to mature
beyond the limitations imposed on us by four sources -- our own psychodynamics, the
neurotic dynamics of culture, the misuse of power in society, and the limits imposed by
the physical world. Put another way, the site is based on the idea that all of us have
within us a primal awareness that we exist in a fallen state and in a state of exile from
the better selves, society and world we know should exist.
Transparency describes the way the creations of culture express and disguise this
awareness of the human condition. It examines the products of contemporary culture --
including TV news, political rhetoric, advertising, movies, situation comedies, science
fiction, and theme parks -- to show how they reveal and conceal our desire to re-create
our selves and society in the image of the unfallen world we intuitively know should
exist.
The goal is to open all of these creations to our view and understanding so we can see
all of this in undisguised form. Toward that end, the site offers a technique of
interpretation that reveals as many elements of fiction and nonfiction as possible. It
shows the way works of fiction and nonfiction are sensory and physical objects that often
include simulations; it examines the meanings and narratives they contain; and exposes the
way they include disguised expressions of psychodynamics, myth and ideology and disguised
images of birth, mind, society and the world. It also shows the moral claims they make and
the way all are forms of action and efforts to exert power.
Ultimately, what the site discovers is that all of these elements work together in
fiction and nonfiction to tell some variation on the story related above. In other words,
all works of fiction and nonfiction are chapters in the larger story we keep telling
ourselves about our effort to undo our fallen state. And all use various techniques to
evoke aesthetic and emotional responses that put us in touch with these desires for
ethical transformation and give us a momentary sense of what it would be like if our
desires were realized.
One of the most important ways they do this is by letting us identify with characters
who re-create themselves and society, and bring about a happy ending. Over and over we
keep telling ourselves stories like this in which dangers and obstacles are overcome and
the anxiety of the characters -- and the audience -- is transformed into hope. The
constantly repeated happy endings that result from these transformations is the true sigh
of the oppressed creature, letting us dwell in a state of wholeness and satisfaction after
experiencing what it would be like to bring about an ethical transformation. But what
these works evoke in us, both through the happy ending and other techniques, is only
temporary. Our task is to move beyond merely acting out these desires in the invented
worlds of fiction, and find a way to bring about such an ethical transformation in this
world.
The site also finds that the "governing classes" in society (and everyone
else) manipulate these cultural creations to play on our desires, They do so to provide us
with aesthetic experiences that put us in touch with all this, but also to sell us
candidates, products, and ideas. They offer us escapes from the truth, substitute
satisfactions, and true and false images of emancipation and transformation. In
making all these creations transparent, we thus end up revealing the way works of fiction
and nonfiction are manipulated as a form of marketing, ideology and social control, and we
see the ways they can lead us toward or away from our true identities.
But this also means that, in trying to make culture transparent, we have to stand up to
two kinds of power and censorship -- the power of the mind to conceal its true motives,
and the power of governing classes to conceal what they are doing. In so doing, we end up
revealing the way those in power play on the power of the mind to conceal essential
truths.
Much of the site is concerned with the way all of this has emerged into a new level now
that art, technology, computers, and mass communications allow us to create advanced forms
of simulation that make the realm of imagination seem to come to life. With these
creations, we can reinvent the world in the form of our stories. And that is just what we
are doing, immersing ourselves in a cultural environment of simulations that are disguised
to look like something authentic, and that also take the warded-off contents of the mind
and disguise them to make them safe for us to consciously experience. These two forms of
disguise are designed to get us to act out what is on our minds while we believe we are
responding to something separate from ourselves in the world. In a sense, they induce a
kind of "psychosis", immersing us in narcissistically-saturated surroundings
that are a projection of our own psychodynamics.
Although this writer hasn't seen it yet, an example (based on other information) is
Disney's new nature park, which immerses us in a simulation in which nature appears to be
innocent, pure, and unfallen, and a font of spiritual values. Even as the park does this,
it tries to evoke parenting urges in us toward nature and to encourage us to think of
ourselves as benevolent nature saviors who can protect innocent animals from malevolent
environmental plunderers. Thus does the park try to get us to confuse emotions and
experiences induced by the artfulness of the fiction for a true perception of nature. In
place of nature, which is often mindless and brutal beyond imagining, as well as being a
source of wonder; in place of complex environmental issues, full of conflicting moral and
practical claims and the play of political forces; and in place of our own complex
motivations, full of selfishness and aggression, as well as benevolence, we are drawn into
a simplified story in which we are good heroes saving good nature from evildoers.
News, political rhetoric and staged pseudo-events, advertisements, documentaries, et
al, do the same things, each in their own way. Even most avowed forms of fiction, such as
movies or fictional series on television are full of forms of manipulation that routinely
falsify our view of ourselves and the world.
But, as noted above, these creations also play on our desires for ethical
transformation, offering us visions of ourselves, society and nature as we might be in a
better world. Disney's new nature park once again offers a good example because it plays
on our desire to be benevolent and re-create the world in the image of our better selves.
It is a fraud that, like many contemporary cultural creations, draws us into a false
utopia. But it is a fraud that succeeds by evoking authentic desires that could be an
engine for change if we choose to understand and act on them.
The site also examines the way this culture of sensory and psychological illusions is
evoking opposition, motivated by these same desires for ethical transformation, and the
way it is articulating that opposition in many of its works of fiction. Here, it examines
a growing body of work in movies, television, novels and short stories in which characters
escape from virtual realities and fake paradises of simulation and technology to
rediscover the world of nature and their own human nature. In the movie, The Electric
Horseman, for example, we see a character who stands up to corporate manipulators who use
images and entertainment to sell themselves and their products. Like many such characters,
he escapes a prison of illusions even as he rediscovers his authentic self. With works of
fiction such as this, we are warning ourselves that we are using these new powers to
become immersed in an invented world that only masquerades as the better world we desire.
The site is thus an effort to contribute to the coming to consciousness and
transformation that humanity has been trying to achieve throughout history. It interprets
our cultural creations to reveal the way all of this is on our minds and the way we keep
trying to put it out of our minds. Its goal is to make our psychology, contemporary
culture and the operations of power transparent to our view and understanding, so we will
understand ourselves, resist manipulation, and learn how to separate the illusions of the
mind from our perceptions of the larger world. Ultimately, it is about helping to find
ways for us to separate ourselves from our regressive symbiosis with the comforting
illusions of the mind and culture, so we can grow, individually and collectively, to a new
level of independence and freedom.
This effort is more urgent today than ever, given the awesome new power we are
achieving with science and technology. As science fiction teaches us over and over, these
new powers have made it essential that we overcome the limitations of our own
personalities and societies, so we will correctly use our newfound abilities as we go
about the task of overcoming the limitations of nature. Put in more commonsense terms, our
wisdom will have to keep pace with our power -- at least to some degree -- or science and
technology could be used to turn the world into a realm of slavery, madness and death.
That is some of what the site is about. Hopefully, it offers a degree of clarity that
can help create an open space of freedom as humanity goes about trying to free itself from
the limitations imposed by personality, myth, society, and nature. If it is successful, it
will help demonstrate the way all of these are the medium of life and everything we know
as good, as well as the prison in which we are exiled.
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© 1996-2012 Ken Sanes
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